When I realized I was a lesbian in the summer of 2005, I seriously thought I was one of the only ones in the wide world.
I had never read a book about a lesbian. I had never seen a movie about a lesbian relationship. I had never visited a lesbian bar, or attended a lesbian concert, or gathered in a house with a group of lesbians. I did listen to the Indigo Girls, but they were famous, and the Swamp Ophelia album only reduced me to more weeping. I was twenty-eight, married to a man, and in love with my best friend. No one anywhere had ever had my experience.
The internet told me something different. On Netflix, I found movies, which were delivered to my house in their anonymous red and white sleeves: When Night is Falling (Canada, 1995); Fire (Canada/India, 1997); Aimee and Jaguar (Germany, 2000); Tipping the Velvet (UK, 2002). On Amazon, I searched for “lesbian books,” and found Nancy Garden’s Annie on My Mind, Rita Mae Brown’s Rubyfruit Jungle, Dorothy Allison’s Bastard Out of Carolina, Jeanette Winterson’s Written on the Body. Somewhere out there, there were other women who loved women. Their stories, often anguished, but almost always fiercely passionate and true, became my community.
In November of that year, I flew to New York to stay with a college friend who lived boldly in a civil union with her partner. They took me to The Oscar Wilde Bookshop (now closed, sadly) and to Bluestockings, and I loaded my arms with more stories, as if I could, with reading, ward off my fear and loneliness. Rebecca Brown, Audre Lorde, Adrienne Rich, Joan Nestle, Lillian Faderman, Elana Dykewomon. Tell me, I pleaded with these other lesbians, who I am. Tell me what to do.
Meanwhile, I wrote mostly about parenting and adoption, about Alaska (where I lived at the time), about climbing mountains. My own story as a lesbian was fragile, in the way a tinder-dry forest is fragile. I feared that if I wrote about my love for Lia, it would flame to ash. And of course, it did, far more violently than I ever imagined. That’s the story Grief Map tells, but Grief Map also tells the story of the lesbian who emerged from that ash, the living woman, writing now about all of her experience because she had no other choice.
But after Lia died in 2011, I once again felt like I was the only one. I crouched in my grief and wondered what it meant to be a woman who loves women all alone. And again, the community spoke to me: the movies and the books reminded me that I was not the only one to have lost, that I could survive. I wrapped myself in those stories. I breathed there. I kept writing.
And yet I still felt as much awed distance from the lesbian community as I did from the Indigo Girls. I was just an isolated lesbian writer in Colorado. When my wife Meredith and I first met in 2014, I was keeping a sad blog called “The Boulder Lesbian,” as if I was the only one. It still felt that way.
I discovered the Golden Crown Literary Society by chance one early morning, when I was taking a break from a scene I was trying to construct in a short story. I wanted connection. Where were the other lesbian writers in the world? I googled “lesbian writers” and Google offered me “lesbian writers conference.” I clicked—and GCLS was the top post. I found myself on a website offering “the premiere lesbian literary event” each year, and an ongoing mission of dedication to “the promotion and recognition of lesbian literature.” I told Brain Mill Press, Grief Map’s publisher, about it, and they submitted Grief Map for a Goldie Award in the non-fiction category. But I didn’t feel part of it. It was another famous place where lesbians gathered, somewhere else.
Then I found myself at the GCLS Conference this July, listening to Lucy Jane Bledsoe and Rachel Gold and Elana Dykewomon and Dorothy Allison read from their work. I told myself, I am part of this community. And I was! For three days, I attended master classes and presentations and panels, readings and speakers in an all-lesbian space. I exchanged my card with other lesbian writers and readers. I discussed story ideas that revolve around lesbian lives. One woman told me she thinks of this annual conference as a sort of lesbian summer camp, and it did have that otherworldly shimmer. With its diversity of age and race and background and expression, the conference had the open-hearted kindness I’ve always imagined those circles of lesbians had in the 1970s communes. How wonderful, to move among these other lesbians in this lovely safe space, a literal haven from the smoke and crowds and din of Vegas.
Each morning, I walked through the Bally’s casino and breathed in relief to reach the conference rooms, where we lesbians retreated from the world awhile. Each evening, when Meredith returned to our room from her poker tournaments, I told her the stories I had heard people read during the day: a lesbian pirate, a lesbian doctor in a helicopter, a lesbian who disguised herself as a man in the 1890s, a lesbian who discovered her grandmother’s secret love had been a woman. I told her that Elana Dykewomon’s poetry made an entire room weep, and that Dorothy Allison was just as funny and wise in person as she was on the page. I told her that I had never imagined the power of an all-lesbian space, the way I literally felt all of us were embraced and held up there. Meredith smiled at me and kissed me tenderly and, because Vegas is like this, just outside our sixty-sixth floor window, the Eiffel Tower throbbed purple and blue with a party and the giant digital eyes on the Cosmopolitan reflected in the water in front of the Bellagio. We were in our own lesbian romance story.
At the GCLS Goldie awards ceremony on July seventh, I stood at the podium with Grief Map’s award for non-fiction in my hands, and I said to the gathered community of three-hundred and fifty lesbians, “Thirteen years ago, when I realized I was a lesbian, I thought I was the only one,” and a wave of loving, understanding laughter rolled toward me. I had never been alone at all. Later, when Meredith and I danced in each other’s arms on a dance floor full of only other lesbians, some in suits, some in dresses, some in wonderful ambiguous amalgamations of the two, I kissed my wife and I knew we moved, now, in the community, part of it all
What’s next? At first, when I came home to Denver, the same slump threatened me that used to threaten me after summer camp when I was a kid, as if the world could never be as supportive and vibrant and connected as camp was. It really can’t. But the stories I tell in the next year can reach toward that energy. My new protagonist Sam can long for it. And then next summer, I can return to that all-lesbian space (in Pittsburgh in 2019) for a few days. I’m excited already.
About Sarah Hahn Campbell
Sarah Hahn Campbell is a lesbian essayist and novelist who lives in Denver, Colorado, where she teaches high school English and parents a beautiful little girl with her fiancé, Meredith. Campbell has published work in a variety of publications, including Curve, Room Magazine, Sinister Wisdom, Iris Brown Lit Mag, and Adoptive Families Magazine. Her novella, The Beginning of Us, came out in January 2014 from Riptide. Originally from a farm in eastern Iowa, she holds an MFA in Creative Writing from Naropa University and writes a monthly column called “Subversions” for Brain Mill Press.